
Notes From the Field
by Anna Deavere Smith
Directed by Dr. DeRon S Williams
Assistant Directed by Grace Herman
Movement Directed by Tanji Harper
Vocal Directed by Tierra Whetstone
When fiction isn’t enough, stories must be told as they actually happened. Using verbatim transcripts of real-life interviews, Notes from the Field tackles incarceration, police brutality, and systemic educational issues with heart and hope. Anna Deavere Smith’s striking documentary theatre piece shows the school-to-prison nexus not in allegorical critique but in grotesquely accurate detail. Shattering notions of punishment and the justification of violent force, Notes from the Field interrogates what activism is, what performance is, and what you can do about it.






Photos by Brave Lux.
Post Process Reflection
It’s wild to say that I’ve finished my last mainstage at Loyola University Chicago. It’s such a bittersweet feeling because I’m sad that college is almost over but I’m so proud of how far I've come. From freshman year having the inkling to trying being an assistant director to having now worked as a director on five Loyola productions. This project once again confirmed to me that directing is a great fit for my skill set, it just feels like the right spot in the room for me, and it lights up my brain like nothing else does.
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This project was exciting because it was an opportunity to learn from a new directing perspective and gave me a playground to refine my existing skills. It was cool to come into my second AD role at Loyola with a stronger foundational understanding of directing. Having a clear understanding of the AD role and confidence in my foundational directing skills opened up some many learning opportunities. I didn’t feel like I had to spend a ton of energy trying to figure out how to be an AD or what directing is. In knowing those things I got to strengthen my specific directing skills like leading table work, composition, giving feedback, working 1:1 with actors, working with designers, etc. I’ve learned so much and feel like a much stronger director because of it.
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On the dramaturgy side, it was so lovely to work on a play that needs and benefits from strong dramaturgy. It was nice to feel useful as a dramaturg in the room. From the context I could provide about the events referenced in the script to the dramatical function of specific moments on the arc of the play. It was also very fun and rewarding to create an interactive lobby installation. I always enjoy seeing theatre where as an audience member I feel like I have some impact on the world. Including the audience in this way always makes a show memorable and more impactful, at least in my experience. So, I loved finding a way to bring that into our show and want to continue this trend in my dramaturgy.
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I also appreciate this project because it felt like we were doing work that mattered. Maybe not commercially but on a soul and social justice level. From this project, I finally understand social justice theatre. How it functions and the impact it can have. I’ve discovered that social justice is a way to heal. Because as Denise Dodson said by saying things out loud we head, even if it's just the tiniest bit. By listening we heal, by working to understand we heal, by finding empathy we heal. This project was an embodiment of speaking truths, listening, understanding, and empathizing with these characters' stories. That act alone in the rehearsal room was such a strong purpose I want to keep returning to social justice theatre. It feels like a weapon against the “brutal furnaces” of this world and a way to heal it the tiniest bit.
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In all these ways I was connected to Loyola’s mission “a diverse community seeking God in all things and working to expand knowledge in the service of humanity through learning, justice, and faith.” My knowledge on the school-to-prison pipeline expanded, I learned so much about directing and dramaturgy, and everything was grounded by a pursuit of justice.
dramaturgy
lobby display
Working with my Assistant Dramaturg, Hemani Mehta we designed an interactive Lobby Display. We designed posters to biographical information on all of the characters. We created a 3D school to prison pipeline that outlines the path of the trend. And we created an immersive classroom with an interactive wall patrons got to add to! This was such a rewarding part of the process and a lovely challenge to figure out how to deliver all my research to the audience in an engaging way.







post-show dicussion
After one of the performances, I led a post-show discussion with cast members and the assistant director. This 15-minute conversation focused on topics of artistic process, double casting, social justice theatre, documentary theatre; central focuses of this project.
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I also participated in a post show dicussion panel about the intersection between arts and activism led by Dr. Williams.

program note
The last piece of forward-facing dramaturgy I created for this production was my program note, focusing on the process of putting on a documentary theatre piece.
“If you say a word often enough, it becomes you”
Anna Deavere Smith’s grandfather once told her, “If you say a word often enough, it becomes you.” In her life’s work–the documentary play series On the Road: A Search For American Characters, to which Notes From the Field belongs–Smith uses this sentiment as a map towards empathy. The journey starts with Smith traveling around the United States interviewing people and collecting their words. She sits with real people, walks with real people, listens to understand their experiences, and performs them onstage. Smith describes this process not as typifying the other person but as “trying to make a broad jump towards the other.” In this effort, we recognize our closeness with our counterparts and strangers as we step into their shoes, learn the rhythm of their voices, understand the gestures of their bodies, and say their words. In essence, they become a part of us. Here, we arrive at empathy.
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Anna Deavere Smith includes her map towards empathy in the rights to her script. She intends that “actors portray characters outside of their own race, gender, age, and ‘type.’” So, you will see our actors playing people who are different from them in many ways. Like Smith, the actors make a “broad jump towards the other” in this production. Preparing to leap has meant taking a deep dive into their lives, lived experiences, relationships, voices and movement patterns to best understand them and share their stories with you. Smith says that by listening closely and performing as people from around the country, she has “learned about America from becoming it.” We are doing the same by putting on this play. By sitting in the audience together, we learn about the American experiences that exist beyond ourselves. By repeating their words, they become a part of how we understand America. Then, wielding this empathy, we move to action.
Action is the third act of Notes From the Field, where you can become an actor, too. We, as performers and citizens of the world, urge you to consider the perspectives you learned and the empathy you may have felt and turn them into action in your field.
Opportunities for Action (a.k.a The Third Act Scene List):
Policy Changes
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Propose & Support Policy Reform in Local Schools and Districts.
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Historically, the mobilization of parents and community members has been a successful way to generate change. Some solutions local communities have found are:
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Replacing zero-tolerance policies with restorative justice practices
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Creating peer mediation and mentorship programs
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Student placement services.
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Shift to focus on dignity-based alternatives, policies that recognize the inherent dignity of individual students.
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Run for local or national office and help propose legislative reforms to eliminate mass incarceration practices.
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Work in local courts, like Judge Abby, and advocate for restorative justice practices.
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Educators, future educators, and parents evaluate the discipline practices in your classrooms and homes. Is zero-tolerance in your homes like Leticia de Santigo or in your school like Tony Eady?
Community Programs
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Support Local Extracurricular Programs that give students a place to belong and grow. These programs often compensate for home and school life.
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Donate to organizations like The Sentencing Project that are working to minimize the imprisonment and criminalization of youth and adults.
Advocacy
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Write your local politicians to express the desire for legislative reforms to eliminate mass incarceration.
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Continue the conversation about the school-to-prison pipeline.
